Horan.

On screen she creates little mental dances, and on stage, she is making use of her outgoing childlike personality and manners.

In Ibadi's 1st and 2nd album, she reveals some of her artistic taste, what she really wants to do, sometimes genre-aware, oftentimes not. Her cherubic vocal work at Clazziquai pushed the public gestures to learn to groove with her, Alex and DJ Clazzi.

As solo artist, she takes up her guitar to accompany her on her innocent and saintly and hopeful journeys. Her most recent gift to the Korean songs market is her sentimental reminder of the classical value of mentally step-dancing while music plays. Her voice is best when she performs sweet electric pop, making us look forward to her iridescent stream flow.

The final track in Ibadi's first album, Chococat, fully, playfully and deliciously showcases Horan's celebrating voice talent.